Augustine Joseph (father of K.J. Yesudas), V. Dakshinamoorthy, and lyricist Abhayadev have been correct buddies. Not best had been they on first name terms, but known as each other aliya — a Malayalam term of endearment for a chum. When it was decided to remake the Tamil movie Nallathangal in Malayalam, Abhayadev, and Joseph went to Vaikkom to satisfy Dakshinamoorthy Swami. They determined him drowsing, curled like an ‘S,’ to shape his tall frame into a small bench. “Aliya, arise. You are to be the song director for the movie.
Nallathanka,” they said. Swami hesitated, but his pals were at their persuasive first-class, and subsequently, Swami agreed. Nallathanka marked Swami’s access to films as a music director. It also changed into level actor/singer Joseph’s first film. The film, released in 1950, became a hit, and Swami became a much-in-demand composer in the Malayalam movie industry.
The trio of Abhayadev, Joseph, and Swami teamed up for the 1953 movie Velakkaran. Joseph performed the position of a servant, an Ayyappa devotee. The servant seeks to depart to go to Sabarimala. His corporation refuses, and the servant throws away his task to undertake the pilgrimage to Sabarimala. “I knew about the role my father performed in Velakkaran, quantities of which were shot in Sabarimala. But I no longer recognized that he had found the 41-day vrata. I realized this years later when my father’s buddy wrote a brief biography of my father,” says Yesudas. Interestingly, Joseph sings a song in reward of Ayyappa (’Paahimaam Jagadeeswara, Sri Sabarigiri nilayaa Easwaraa’) in the movie. “This is the first recorded Ayyappa song,” says Yesudas, whose songs are iconic. Swami and his pricey friend Joseph shared the identical start star — Uttiram, also Sabarimala Ayyappa’s famous person!
Yesudas, of direction, has sung many songs tuned using Swami. “While I came to learn from Chembai much later in lifestyles, in the formative years, it changed into Swami, who formed me as a musician,” says Yesudas. It turned into Swami, who taught him to understand nuanced singing, which sets the mood of a Kriti. Swami idolized M.D. Ramanathan used to inform Yesudas that MDR’s bhava showed his musical imagination and prescience. “I, too, located MDR’s majestic fashion maximum appealing,” says Yesudas.
Swami’s affiliation with the Yesudas circle of relatives, which began with Joseph and continued with Yesudas, also extended to the next generations. He composed the music for Yesudas’s son Vijay in the film Idanazhiyil Oru Kabocha. “Swami became decided to make my granddaughter Ameya (Vijay’s daughter) sing. So, he gave her a small sloka to sing in Shyaamaragam. It was my duty to teach her. I brought some difficult makes for her, and while we went back to Swami, he said that one ought to make now not things tough for a child, and he taught her. Swami came to the studio for the recording, which went off without a hitch.”
Yesudas has sung four songs in Shyaamaragam, Vijay Yesudas one, and then there may be Ameya’s sloka; they are all Swami’s tunes. Shyaamaragam turned into Swami’s swan-tune.
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