Augustine Joseph (father of K.J. Yesudas), V. Dakshinamoorthy and lyricist Abhayadev, have been correct buddies. Not best had been they on first name terms, but known as each other 
aliya — a Malayalam term of endearment for a chum. When it turned into decided to remake the Tamil movie Nallathangal in Malayalam, Abhayadev and Joseph went to Vaikkom to satisfy Dakshinamoorthy Swami. They determined him drowsing, curled like an ‘S,’ to in shape his tall frame into a small bench. “Aliya, arise. You are to be the song director for the movie Nallathanka,” they said. Swami hesitated, but his pals were at their persuasive first-class, and subsequently, Swami agreed. Nallathanka marked Swami’s access to films as a music director. It changed into also level actor/singer Joseph’s first film. The film, released in 1950, became a hit and Swami became miles in-demand composer in the Malayalam movie enterprise.
The trio of Abhayadev, Joseph and Swami teamed up for the 1953 movie Velakkaran. Joseph performed the position of a servant, an Ayyappa devotee. The servant seeks to depart to go to Sabarimala. His corporation refuses and the servant throws away his task to undertake the pilgrimage to Sabarimala. “I knew about the role my father performed in Velakkaran, quantities of which were shot in Sabarimala. But I did no longer recognize that he had definitely found the 41-day vrata. This I came to realize years later when my father’s buddy wrote a brief biography of my father,” says Yesudas. Interestingly, Joseph sings a song in reward of Ayyappa (’Paahimaam Jagadeeswara, Sri Sabarigiri nilayaa Easwaraa’) in the movie. “This is the first recorded Ayyappa song,” says Yesudas, whose songs are iconic. Swami and his pricey friend Joseph shared the identical start star — Uttiram, which is also Sabarimala Ayyappa’s famous person!
Yesudas, of direction, has sung many songs tuned by means of Swami. “While I came to learn from Chembai much later in lifestyles, in the formative years, it changed into Swami, who formed me as a musician,” says Yesudas. It turned into Swami, who taught him to understand nuanced singing, which sets the mood of a Kriti. Swami idolized M.D. Ramanathan and used to inform Yesudas that MDR’s bhava showed his musical imaginative and prescient. “I too located MDR’s majestic fashion maximum appealing,” says Yesudas.
Swami’s affiliation with the Yesudas circle of relatives, which began with Joseph, and continued with Yesudas, extended to the next generations too. He composed the music for Yesudas’s son Vijay within the film Idanazhiyil Oru Kabocha. “Swami became decided to make my grand-daughter Ameya, (Vijay’s daughter) sing. So, he gave her a small sloka to sing, in Shyaamaragam. It was my duty to teach her. I brought some difficult makes for her, and while we went back to Swami, he said that one ought to now not make things tough for a child, and he himself taught her. Swami came to the studio for the recording, which went off with out a hitch.”
Yesudas has sung 4 songs in Shyaamaragam, Vijay Yesudas one and then there may be Ameya’s sloka, they all Swami’s tunes. Shyaamaragam turned into Swami’s swan-tune.
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