Lolita De Sola has been singing approximately domestic. A rising musician from Caracas made the tough selection in the closing year to leave Venezuela and flee north to Mexico City. The pass allowed De Sola to launch her first album, Cattleya — which she says she could not have made at home given Venezuela’s modern political and financial turmoil.
“When you have got a dictatorship or disaster, the primary element that is going away is a subculture,” she says. “Because you need meals. You want more, you already know, fundamental stuff first. Then culture.”
She says that before the financial system collapsed, Venezuela had become a unique place earlier than humans on her road was eating out of the trash.
“When I became little, it was magical,” she says. “Caracas is a valley — so you have the mountains, and in a half-hour, you have the seashore. Also, you have, like, splendid meals, and you have got a perfect climate. I now understand how privileged I grew up in an area like Venezuela, as it’s beautiful. … Venezuelans right now do not have the equal that I did.”
The younger singer-songwriter left Venezuela in 2014 to pursue a digital manufacturing and sound design diploma at Berklee College of Music in Boston. Due to the worsening situations in her United States, she moved to Mexico City after graduating.
She says the human beings of Venezuela are constantly on her mind. Her tune “Loto” represents how “we can nevertheless be intended to be our quality self and try to be constructive, even though everything outside seems to be general chaos.
“It’s sincerely clean to get depressed,” De Sola admits. “I feel like there’s no Venezuelan that doesn’t recognize depression, would not understand oppression.” But she says she hopes for the first-class, even supposing she fears what may come first.
“If the military intervention takes place, I desire that my family and pals are secure,” De Sola says. “I simply desire that no innocents die in the process.”